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10 October, 2014

मशाल



वह  जलाया गया बच्चा
जो कल दिन में मर गया
मुझे रात भर परेशान करता रहा .

 दांत भींचे
अपने दर्द को दबाते हुए
पूछता रहा लगातार
क्या ग्यारह मरने की सही उम्र है ?

मेरे हाथ में ना बन्दूक थी
ना कोई हथियार
ना बलिष्ठ काया
ना ही आतंकी इरादा
जिन्दा जला दिया गया
फिर भी
निर्बल था मैं
क्या निर्बलता की मुझे मिली सजा .

अच्छा किया
नहीं मारा मुझे बन्दुक की गोली से
नहीं कुचला
भारी-भरकम कील ठुंके बूट से
नहीं क़त्ल किया
विष चुभे खंजर से
जलाया मुझे आग में
लपलपाती आग
असहनीय पीड़ा झेलते जल गया मैं


आग की लपटों में
जलता जिन्दा  शरीर
मशाल बन मरता है
पर सोचता हूँ
क्या मैं बन पाउँगा मशाल
निहत्थे का
निरीह का
न्याय  का
शहर समाज के हर निर्बल गरीब का .

~~~ रामानुज दुबे









01 October, 2014

Cineplay



Today Evening I saw CinePlay ‘The Job’ at La-Makaan, Hyderabad. As per the advertisement of the organizer, CinePlay is the novel mode of theatre. The advertisement says, “CinePlay is a new genre of entertainment. It is a cinematic experience of theatrical production. The film making process is used to convey meaningful stories, in collaboration with the theatre director’s vision. A new language of cinema. It’s cinema, it’s theatre, it’s cineplay”.

What is CinePlay ?

CinePlay is a hybrid form of theatre and cinema. A play is recorded aesthetically then some film making elements are used to present video version of play to the audience. It is neither theatre nor cinema. Theatre has immediacy that immediacy you miss in CinePlay, as CinePlay is restricted to set design as per the play so it is hard to get the pleasure of film. CinePlay does not provide big canvass as cinema. It is devoid of complete pleasure of film & theatre.

Then what is the use of this format?

CinePlay does not provide the all elements of theatre and cinema to the audiences; it does not mean that it is a useless format. When a group performs a play, it undergoes a very arduous process from rehearsal to stage performance.  Director works on script, actors, set, light, music, blocking, stylization, costume etc. Actors work on characterization, speech, gesture, posture, diction, chemistry with co-actors etc. Once the play is ready, it reaches to audience.  Generally, any medium size good auditorium in any town/ city has two hundred to three hundred sitting capacity. If a group conducts ten shows, it will have maximum reach to two thousand to three thousand people. For every performance group will have to conduct rehearsal, booking of auditorium, coordination with organizer/ producer.  Sometimes costs of these efforts become quite huge than returns. Regular shows of any play needs dedicated director, disciplined actors, functional group, good public relations with all stake holders, sufficient resources be it – human or finance. CinePlay is the shortcut solution to such problem. Do a play, get it recorded, put some elements of cinema to enhance the quality of the play and conduct the show when audience is ready.  CinePlay does not require theatre or auditorium, it can be shown anywhere, and it requires a projector and laptop. Cineplay can have wider reach to audience than the actual play but it will never be as effective as play. CinePlay can also act as the documentation of play and it can be shown to audience/ public even after a long time.

Is cinePlay a new genre of entertainment?

No. CinePlay not a new concept, not a new genre of entertainment.  In fact, Doordarshan channels (DD-1, DD- regional channels, DD-India, DD-Bharti) have been telecasting recorded plays of good directors from long. Many plays from Patna and Delhi theatre have been telecasted on national channels.  DD regional channels Bihar and Bhopal (MP) regularly presents recorded plays. Doordarshan national channels have been telecasting theatre groups’ play and these plays getting wider audiences. The nomenclature of recorded play ‘CinePlay’ is new but not the format.

Almost all the world classics are available on you tube.  Many theatre group, educational institutions, Drama Schools have uploaded their video in part/ full on you tube. These uploads qualify the definition of CinePlay.

Do I enjoy CinePlay?

Frankly speaking – No & Yes. I find it is very cumbersome to see recorded plays. I enjoy watching play live. That enjoyment CinePlay cannot give at any cost. However, I confess, the plays that I performed, or the plays I watched live and like it – I love watching recorded version too. I saw the plays of famous Surabhi theatre Group (AP) on DD national three years ago. I got exposure of hundred-year-old theatre group through recorded version. Hope, I will get the opportunity to see the group’s performance soon.

I have been moderately involved in Hyderabad theatre and feeling a part of theatre fraternity. Being a part of theatre fraternity, I feel that Hyderabad theatre has very little exposure to theatre of other places. Patna, Bhopal, Mumbai & Delhi have done many experiments in theatre and produced a good number of national and international productions. Hope, Hyderabad theatre will have good exposure of theatre from different part of our country through CinePlay. If it happens, Cineplay will do real service in theatre to this city.